10 Queer Books by POC

Full disclosure - I’m a white woman, so I recognize my privileged status means I should not be your number one (or hundredth, or thousandth) source for writers of color.

In recent weeks I’ve attended marches and made donations, but I’ve been trying to think of any way I can to use my voice to lift up the voices of POC in a way that is meaningful.

I am nowhere near an expert in politics or police brutality. I can’t write essays on black history or police reform. I know many of you are always seeking out LGBTQ+ books. When is a better time than during Pride and the #BlackLivesMatter movement to compile a list of queer books by POC?

Consider picking up some of these books by amazing POC authors, whose voices are underrepresented in the publishing industry.

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1. Dread Nation by Justina Ireland

Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg, Pennsylvania—derailing the War Between the States and changing the nation forever.

In this new America, safety for all depends on the work of a few, and laws like the Native and Negro Education Act require certain children attend combat schools to learn to put down the dead.

But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It's a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations.

But that’s not a life Jane wants. Almost finished with her education at Miss Preston's School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose.

But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. 

And the restless dead, it would seem, are the least of her problems.


2. Smoketown by Tenea D. Johnson 

The city of Leiodare is unlike any other in the post-climate change United States. Within its boundaries, birds are outlawed and what was once a crater in Appalachia is now a tropical, glittering metropolis where Anna Armour is waiting. An artist by passion and a factory worker by trade, Anna is a woman of special gifts. She has chosen this beautiful, traumatized city to wait for the woman she's lost, the one she believes can save her from her troubled past and uncertain future. When one night Anna creates life out of thin air and desperation, no one is prepared for what comes next-not Lucine, a smooth talking soothsayer with plans for the city; Lucine's brother Eugenio who has designs of his own; Seife, a star performer in the Leiodaran cosmos; or Rory, a forefather of the city who's lived through outbreak, heartbreak, and scandal. Told through their interlocking stories, Smoketown delves into the invisible connections that rival magic, and the cost of redemption.


3. Beneath the Citadel by Destiny Soria

In the city of Eldra, people are ruled by ancient prophecies. For centuries, the high council has stayed in power by virtue of the prophecies of the elder seers. After the last infallible prophecy came to pass, growing unrest led to murders and an eventual rebellion that raged for more than a decade.

In the present day, Cassa, the orphaned daughter of rebels, is determined to fight back against the high council, which governs Eldra from behind the walls of the citadel. Her only allies are no-nonsense Alys, easygoing Evander, and perpetually underestimated Newt, and Cassa struggles to come to terms with the legacy of rebellion her dead parents have left her — and the fear that she may be inadequate to shoulder the burden. But by the time Cassa and her friends uncover the mystery of the final infallible prophecy, it may be too late to save the city — or themselves.


4. The Prey of Gods by Nicky Drayden

In South Africa, the future looks promising. Personal robots are making life easier for the working class. The government is harnessing renewable energy to provide infrastructure for the poor. And in the bustling coastal town of Port Elizabeth, the economy is booming thanks to the genetic engineering industry which has found a welcome home there. Yes--the days to come are looking very good for South Africans. That is, if they can survive the present challenges:

A new hallucinogenic drug sweeping the country . . .

An emerging AI uprising . . .

And an ancient demigoddess hellbent on regaining her former status by preying on the blood and sweat (but mostly blood) of every human she encounters.

It's up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there's a future left to worry about.

5. How We Fight for Our Lives: A Memoir by Saeed Jones

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir. Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.

An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.

6. Under the Udala Trees by Chinelo Okparanta

Inspired by Nigeria's folktales and its war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly.

Ijeoma comes of age as her nation does; born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls.

When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie.

As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.


7. Black Deutschland By Darryl Pinkney

Jed--young, gay, black, out of rehab and out of prospects in his hometown of Chicago--flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America.

But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back.

An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city.


8. Anger Is a Gift by Mark Oshiro

Six years ago, Moss Jefferies' father was murdered by an Oakland police officer. Along with losing a parent, the media's vilification of his father and lack of accountability has left Moss with near crippling panic attacks.

Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals by their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.

When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.


9. Black Girl Dangerous on Race, Queerness, Class and Gender by Mia McKenzie

Mia McKenzie, creator of the enormously popular website Black Girl Dangerous, writes about race, queerness, class and gender in a concise, compelling voice filled at different times with humor, grief, rage, and joy. In this collection of her work from BGD (now available only in this book), McKenzie's nuanced analysis of intersecting systems of oppression goes deep to reveal the complicated truths of a multiply-marginalized experience. McKenzie tackles the hardest questions of our time with clarity and courage, in language that is accessible to non-academics and academics alike. She is both fearless and vulnerable, demanding and accountable. Hers is a voice like no other.

10. Ascension by Jacqueline Koyanagi

Alana Quick is the best damned sky surgeon in Heliodor City, but repairing starship engines barely pays the bills. When the desperate crew of a cargo vessel stops by her shipyard looking for her spiritually-advanced sister Nova, Alana stows away. Maybe her boldness will land her a long-term gig on the crew. But the Tangled Axon proves to be more than star-watching and plasma coils. The chief engineer thinks he's a wolf. The pilot fades in and out of existence. The captain is all blond hair, boots, and ego . . . and Alana can't keep her eyes off her. But there's little time for romance: Nova's in danger and someone will do anything—even destroying planets—to get their hands on her!

This is by no means a comprehensive list. If you have any recommendations, please add them in the comments below!

Everyone, please stay safe. Happy #Pride, and remember, we’d not have #Pride if it wasn’t for the brave POC who started the movement with Stonewall. Take care of yourself and each other.

Wayward Son is the Post-Canon Queer Love Story we all Needed

It’s been four years since Carry On by Rainbow Rowell was released into the world. I was surprised and delighted at the announcement to Wayward Son, the sequel. As you might imagine, I pre-ordered the hell out of this book so I could read it as soon as it hit shelves.

In case it’s not obvious, there will be spoilers abound for Wayward Son. If you’ve not finished the book, close this webpage immediately! It will still be here when you’re done.

Still with me? Alright, let’s get into it!


Let’s Talk About Simon/Baz

I could start with the plot points, but let’s be honest, we were all drawn to Carry On for the queer representation, so let’s just start with that.

Wayward Son starts off with boyfriends Simon and Baz in the midst of a crisis, and my heart dropped. The novel literally starts with the potential of a breakup, and I gotta say that was not what I was expecting.

It becomes apparent throughout the book that the problem isn’t their feelings for each other, the problem is these two boys skipped every single day of their communication class. If they spent half the time talking to each other compared to how much they worry about their relationship, there would be no problem.

Somehow Rainbow Rowell is able to build tension in their relationship while still giving us swoon worthy moments and even moments of complete joy. By the end of the novel I was both convinced their relationship would end horribly and sure they’d be together for the rest of eternity. SADLY, we don’t get to know the answer to that question, thanks to that cliffhanger ending.

For now, I’ll have to console myself with fanfiction.


The Chosen One, After the Story’s Over

Rainbow Rowell really plays with this concept and I love her for it. We never get to see what happens to the hero after the crisis is done and over with. Of course, the plot is over, so that makes sense, right? But these characters still have lives and have to live with the aftermath of their actions, and Rainbow Rowell crafts this beautifully.

As Wayward Son opens, Simon can’t drag himself off the couch. He’s become a shell of his former self, and he realizes it. He’s ashamed of it, and he doesn’t really understand his place in the world now that the story is done and he no longer has magic. Something that comes up time and time again is his own self-loathing because of what he’s become. It’s heartbreaking and difficult to read without overwhelming the entire story.

Simon is as broken as I’d expect him to be after everything he’s faced, but not beyond repair and not sapped of his personality. It’s still in there, just a bit buried, and more and more of his old self is teased out as the story plays out.


A Queer Jaunt Through the American Southwest

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We’ve got some magic-users from Britain gallivanting around the American southwest for the queer magical road trip I didn’t know I needed in my life. She’s put characters you’d never expect in such a quintessential American setting. And God, it was a wild ride.

I actually took a vacation to this region of the USA right after the book released, making the trip even more fun as I crossed terrain Simon, Baz, and Penelope did throughout the novel. The descriptions of the region were so on point I nearly cried laughing.

Have you driven in southern Illinois? Because everything Baz had to say about it resonated with me so much.

I also adored what Rainbow Rowell did with magic in this part of the United States. The magic system she’s created is already very unique, especially once they arrived in America and needed to use American phrases to cast magic. But the fact that they found dead spots because of the complete lack of people was so clever, and the fact that Burning Man (Lad) was what saved them in the end was genius.

Also just the image of these three in their classic car driving around America, UGH.


So Many Vampires

I didn’t expect vampires to play such a big role in this book and I gotta say, I’m not mad about it.

There’s so much to unpack here, so bear with me. We have the classic vampire, the one that has been around for ages, and then we have the capitalist, Silicon Valley vampires. The fact that these inventive vampires even exist is such a fun play on capitalist culture that I can’t stand it.

Plus we get to see Baz interact with other vampires and discover just how little he knows about being one. I’d take a whole book just about that.


In Conclusion

I’m not rating this book because to me, it was perfect. I’m sure if I sat down and used my literary criticism skills from college, I could find flaws, but I don’t need to. This book was fun, silly, full of heart with a plot that continued to compel. 

And another book is coming. I can’t wait.

What did you guys think? Let me know in the comments!

Looking for more books like Carry On and Wayward Son? I’m currently querying my novel FanFact, the story of a fangirl who finds herself in the world of her favorite book series right before the final book is published. Read more about it.


More Wayward Son

10 Things We Need Explained In The Sequel To ‘Carry On’

Author Chris Tebbetts Talks LGBT Representation, New Novel

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It’s Pride Month, making it an obvious time to showcase some amazing LGBTQ+ books across all sorts of genres. I was lucky enough to get the opportunity to speak with author Chris Tebbetts, whose new YA novel Me, Myself & Him comes out July 9th. Not only does his novel feature a gay protagonist, but for every pre-order, Chris will be donating $1.00 to Pride Center of Vermont!

When Chris Schweitzer takes a hit of whippets and passes out face first on the cement, his nose isn't the only thing that changes forever. Instead of staying home with his friends for the last summer after high school, he's shipped off to live with his famous physicist but royal jerk of a father to prove he can "play by the rules" before Dad will pay for college.

Or . . . not.

In an alternate time line, Chris's parents remain blissfully ignorant about the accident, and life at home goes back to normal--until it doesn't. A new spark between his two best (straight) friends quickly turns Chris into a (gay) third wheel, and even worse, the truth about the whippets incident starts to unravel. As his summer explodes into a million messy pieces, Chris wonders how else things might have gone. Is it possible to be jealous of another version of yourself in an alternate reality that doesn't even exist?

With musings on fate, religion, parallel universes, and the best way to eat a cinnamon roll, Me Myself & Him examines how what we consider to be true is really just one part of the much (much) bigger picture.


Your new book, Me, Myself & Him, uses parallel timelines to tell the story. What made you decide to try out this style of writing?

I’ve always been fascinated with the idea of the multiverse, which posits the existence of infinite realities in as many dimensions. Also, like a lot of storytellers, I’m semi-obsessed with asking “what if?” about pretty much everything and anything. When I apply that to my own life, it brings up questions about what might have happened if I’d made slightly (or majorly) different choices along the way. What if I’d chosen a different college to go to? What if I’d had turkey instead of tuna for lunch yesterday? And in what ways might those choices we all make every day impact (or not impact) where we end up in the long run?

Since I couldn’t write a novel with infinite possibilities, I landed on the idea of exploring two different outcomes that flow from the same inciting incident—which in this case involves my character passing out and breaking his nose while huffing whippets behind the ice cream store where he works.

Lastly, I have to give a nod to the movie Sliding Doors, which was the first time I ever saw someone tackle the idea of parallel narratives in this way. I love the puzzle aspect of putting all those possibilities into one story. It’s like brain candy for me as a writer, and hopefully, for my readers as well.


This book has been described as a hybrid of memoir and fiction. Can you flesh that out a little bit for me?

The prologue of this book—and its inciting incident—are autobiographical. I really did have a drug-fueled accident behind the ice cream store where I worked when I was nineteen. From there, as I spun out my two different realities in the novel, I created a world around my character that is largely fictional, but still based on some of my own experiences. I’m from Yellow Springs, Ohio, and a lot of this book takes place in a very similar town, which I call Green River. My character is gay, as am I, but he’s come out to himself and the world at a far younger age than I ever did. On top of all that, the whole story is filled with what I’d call emotional truths from that time in my life—the last summer before college. And one way I reflect that hybrid is by naming my protagonist Chris Schweitzer, which is to say that I gave him my first name but not my last. All of it reflects one of the motifs in the book, where pretty much every character tells the truth some of the time, and lies at least once, if not many times.


How has your identity as a member of the LGBTQ+ community influenced your writing?

I’ve always felt as though I exist in a kind of limnal place. I’m a white, middle class, cis male, with all the privilege that goes with it. I’m also a gay man in a sometimes homophobic world. And without consciously going about it, I think I’ve always been a bit of a fence straddler that way. My writing is relatively commercial and accessible, which is to say, reflective of the mainstream in which I spend a lot of my life. But my work also reflects some knowledge of what it means to be other, to exist outside of some people’s definition of societal norms.

In a way, I’ve never really been an either/or kind of person. I’m a both kind of person. I’m a “yes, and” kind of person. Which, I suppose, jibes perfectly with the idea of writing a novel that doesn’t choose between two realities, but rather, embraces both.

We’ve been fortunate enough to see more and more novels featuring LGBTQ+ protagonists. There’s been a great deal of progress, but representation still has a long way to go. What do you want to see in terms of representation in fiction?

My gay protagonists (in this book, and in my previous YA, “M OR F?” co-authored with Lisa Papademetriou) are what I’d call incidentally queer characters. Which is to say, their sexuality is neither the problem nor the driving issue of the novel itself. We’re seeing more and more of that kind of thing in queer characters these days, with stories that show far more than the historic marginalization by which queer characters have long been defined, or maybe over-defined.

And to be clear—stories that reflect the sometimes ugly realities of what it means to be queer in our society are important. I hope people continue to write those stories for as long as they’re relevant, but I also hope we can continue to make room on the shelf for stories that set aside those issues in favor of the zillion other queer stories waiting to be told.


You’re donating $1.00 for every pre-order of this novel to the Pride Center of Vermont. Do you have a personal connection to this organization?

The feeling here in Vermont, for me, has always been that the state is one big small town. This is a place where you see Bernie Sanders at the grocery store, where everyone seems to have mutual acquaintances, etc. So even though I haven’t been directly involved with the Pride Center up to now, I’ve always supported their work, and have admired the people who help run it, including the folks I’ve known for years, as well as the new guard, leading our state’s queer community into the future. When I was deciding on which organization to benefit with my pre-order campaign, they seemed to me to be the most comprehensive representation of what I wanted to support with a book like this one.


This is your first solo young adult novel. How was it different from writing for middle-grade readers? Do you prefer one over the other?

I’ll be honest here. On the one hand, ME, MYSELF, AND HIM is the most personal thing I’ve ever written, by far, and I wouldn’t trade the writing experience for anything. Writing truly can be therapeutic, and it’s no exaggeration to say I found a bit more of myself by writing this book. There’s a certain freedom in YA, content-wise, and I could really “go there” in a way I’ve never done before.

That said, the bulk of my career has been built on middle grade fiction (including the MIDDLE SCHOOL series with James Patterson and the STRANDED series with Jeff Probst). And while it’s great that I don’t have to choose between one or the other, it’s also true that if I did have to choose, my heart leans toward middle grade. There’s something about the outward-looking, wide-eyed exploration of the world that I’ve gotten to do with my middle grade books that appeals to me in a deep way. That may have something to do with the fact that when I’ve never been a more voracious reader than back in my own middle grade reading days. So it makes sense to me that I’d gravitate in that direction as an author.


If you could take one of your characters in this new novel out for cinnamon rolls, which one would it be?

It would have to be Swift, the romantic interest who appears in one of the story’s two threads. I had to fall in love with him a little in order to write him, so he seems like a good choice to me. Also, as a tangent: that character, Swift is an example of how our subconscious minds can kick in during the writing process. His name came to me in a completely random way. I work a lot with my own first thoughts and impulses when I’m writing, and when it came time to name this love interest of a character, I told myself I’d use whatever came to me first. For whatever reason, at that moment the word “swift” popped into my head. So I made good on my intention, and I went with it. It was months later before I realized that my primary association with the name Swift is the author Jonathan Swift. And as it happens, my husband’s name is Jonathan. I love how he kind of wormed his way into my story like that—and I love the kind of surprises that writing can throw my way, when I let them in.


Me, Myself & Him is available July 9th. Read more about the book and how your pre-order will help the LGBTQ+ community at http://christebbetts.com/.


Looking for More Queer Books?

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The Most Anticipated LGBT Books of 2019

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They Both Die At The End Gave Me An Existential Crisis

10 Things We Need Explained In The Sequel To ‘Carry On’

10 Queer Authors You Need To Follow Immediately

My Top Five Books Featuring LGBTQ+ Characters